Dr. Carl Steinbart [1852-1923], Berlin, by 1885.[1] (Kunsthandlung Fritz Gurlitt, Berlin), in 1886.[2] Julie Ginsberg, Berlin, by 1897.[3] Dr. Arthur von Weinberg [1860-1943], Frankfurt-am-Main, by 1904; by inheritance to his adopted daughters, Charlotte Frederike, Princess Ferdinand Lobkowicz [1896-1973], Frankfurt-am-main, and Marie Elisabeth, Gräfin von Spreti [1892-1969]; presumably by inheritance to Marie Elisabeth's daughter, Alexandra-Beatrix Scherping [b. 1929, née Countess von Spreti], Schloss Pähl, Bavaria. (Galerie Bruno Meissner, Zurich), by 1975;[4] purchased 1976 by NGA.[1] Steinbart's name is written three times in various locations on the reverse of the panel; see notes and photos in NGA curatorial files.[2] The Gurlitt name is given in Rolf Andree, Arnold Böcklin: Die Gemälde, Basel and Munich, 1977: 451, no. 378, repro.[3] Mrs. Ginsberg lent the painting to an 1897 exhibition in Berlin.[4] Provenance provided by Galerie Bruno Meissner. See also letter dated 3 August 1976 from Prince Edouard de Lobkowicz in NGA curatorial files.