Kückelmann in Munich and Michel Halperin, Fischer’s lawyer in Geneva, investigated and discovered that the exhibition included at least five Schönart/Lohse pictures, with no provenance given except “Swiss Private Collection.” Among them were Corot’s Femme assise, tenant une mandoline (1826–28) and Sisley’s L’Abreuvoir à Marly-le-Roi (1875). The curator of that show was the French art historian and Renoir cataloguer François Daulte, whose death in 1998 led to a major scandal. His heirs found in his safe at the Credit Suisse Bank in Lausanne 24 paintings by Corot, Degas, Gauguin, Manet, Morisot, Renoir, and Toulouse-Lautrec that had belonged to Anne-Marie Rouart and should have been given to the Académie des Beaux- Arts and its Marmottan Museum in Paris by the executors of her will, one of whom was Daulte’s son Olivier.