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  • Ferdinand Möller was one of the few dealers authorised by the Nazi propaganda ministry to sell so-called degenerate art confiscated from German museums. Before the Nazi period, he had been crucial in bringing German Modernism into the US market. Working with Möller, says Megan Reddicks, a doctoral student at Tyler School of Art, Temple University, the German director of the Detroit Institute of Arts (DIA), Wilhelm Valentiner, had built a collection of German Expressionist art as early as the 1920s. “They had some sort of good rapport, I hesitate to go as far as to say that it was a close friendship,” she says. But they collaborated frequently, including on a 1923 exhibition of German contemporary art in New York. (en)
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